Much of Ashery’s work is performance based and interactive. Raging Balls has been shown as a performance where audiences are asked to throw numbers of balls at the live performers. The performers are attempting to protect themselves with art magazines, and at a certain point throw the balls back at the audience and create a very tame riot. This interplay between audience and performers raises questions around the nature of rage, the limitations and thresholds of contracts between audiences and performers in performance works, herd-instincts and the childlike desire to throw balls.

《憤怒的球》在表演過程中，有無數(shù)個球讓觀眾用來擲向表演者。表演者們要盡力用藝術(shù)雜誌擋住球，來保護自己，並且有時候還可以將球擲回觀眾，從而造成一場完全安全無傷害的暴亂。觀眾和表演者之間的這種互動引發(fā)了一些問題，譬如關(guān)於憤怒的本質(zhì)、觀眾與表演者之間的契約限制、本能反應(yīng)和兒時對於扔球遊戲的喜愛。