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    [專稿] 優(yōu)雅的反抗——向基本形體的致敬
    藝術(shù)中國(guó) | 時(shí)間: 2008-04-21 14:27:15  | 文章來(lái)源: 藝術(shù)中國(guó)


     

    Beautiful Resistance The respect of basic shapes
    優(yōu)雅的反抗——向基本形體的致敬

    參展藝術(shù)家 Artists: 劉心正 & 張磊 (Jason Cool)
    開幕酒會(huì) Opening Reception: 26th . April. 2008 / Sat 4:00pm – 9:30pm
    展覽日期 Exhibition Date : 26th. April. 2008 - 2. Jun. 2008

    展覽地址 Address: FakeSpace北京虛空間
    北京市朝陽(yáng)區(qū)百子灣路32號(hào)蘋果社區(qū)(北區(qū))3B-111 郵編100022
    Room111, Building 3B, PingGuoSheQu, 32 Baiziwan Rd.
    Chaoyang Dist. Beijing.
    Contact No: +86 10 58264512
    Website: www.fakedesign.co.uk

    Taipei based artist Liu, Hsin-Cheng has always been fascinated by simple forms and
    colour stirred by their visual complicity. He spent a year in Central Saint
    Martin of Art & Design College in London to explore the relationship between
    sound and graphic, intending to create a systematic visual communication
    triggered by simply talking. As for his first exhibition in China, Liu, Hsin-Cheng
    takes his sensibility into a journey with basic shapes. The way he deals
    with dimension, form, proportion presents his understanding of global
    graphic culture, which reveals a romantic side of the visual nature of
    geometry.

    While artist Jason Cool pays more attention on the metaphor within the
    context of geometry. He often uses objects and materials exist in our
    everyday life to create modular system-like installation. By looking into
    basic concept of dimension, Jason exams the class of different shapes and
    makes implications of social hierarchy of our life. It becomes more
    meaningful when found object been introduced into his practice, as the
    connection between commodity culture and economy class. Apparently he puts
    effort on achieving the geometric order at mathematical level, but the
    actual work is in the result of a kind of failed structure. It creates the
    conflict of salability and riot and leaves the feeling of uncanny elegancy.

    Perhaps the title of ‘Flatland’ recalls back the intellectual story of
    geometry, in another hand, it lead us proudly representing two talented
    artists at FakeSpace, where we constantly bring up the fresh art and
    interesting stuff for people here in Beijing.

    臺(tái)北藝術(shù)家劉心正長(zhǎng)期癡迷于幾何形體和顏色序列的複雜性。他曾經(jīng)在倫敦中央
    聖馬丁設(shè)計(jì)與藝術(shù)學(xué)院研修圖形與聲音的關(guān)係,並致力於開發(fā)交談所誘發(fā)的互動(dòng)式圖形視
    覺系統(tǒng)。作為他第一個(gè)在中國(guó)的展覽,劉心正把自己的感知度帶入到基本形體的世界,對(duì)
    于形體,維度,比例的獨(dú)特掌控,是深植了他對(duì)與圖形文化的理解之中的。他的創(chuàng)作為我們
    展現(xiàn)出幾何視覺世界的浪漫特質(zhì)。

    而藝術(shù)家張磊(Jason Cool)似乎更關(guān)注形體關(guān)係所引發(fā)的社會(huì)隱喻。通過重新考查維度的概
    念,來(lái)看待它所造就的結(jié)構(gòu)之間的界限,平面的三角形永遠(yuǎn)無(wú)法理解立體的多面體結(jié)構(gòu)。
    現(xiàn)成品在他的作品中帶來(lái)至關(guān)重要的解讀,讓這些單純的形體與顏色與消費(fèi)文化相關(guān)聯(lián),
    從而讓人們想到現(xiàn)實(shí)生活裏所面臨的經(jīng)濟(jì)層級(jí)關(guān)係。他常常利用日常生活的現(xiàn)成物品來(lái)
    創(chuàng)作類似單體延續(xù)系列的裝置。表面上看,他在努力建構(gòu)某種數(shù)學(xué)化的次序,但作品結(jié)果
    卻呈現(xiàn)出一種穩(wěn)定和混亂的矛盾,一種失敗的結(jié)構(gòu)體,

    希望這個(gè)展覽不只是讓人聯(lián)想到幾何世界的次序美感,我們?cè)谙蚧拘误w的致敬的同時(shí)來(lái)
    展出兩位年輕有為的藝術(shù)家的作品,讓FakeSpace為大家提供新鮮的藝術(shù)和有趣的東西。

    FAKESPACE*

    (O) +86 10 58264512
    北京市朝陽(yáng)區(qū)百子灣路32號(hào)蘋果社區(qū)(北區(qū))3B-111 郵編100022
    Room111,Building3B, PingGuoSheQu, 32 Baiziwan Rd. Chaoyang Dist. Beijing.
    PostCode 100022
    www.fakedesign.co.uk

    建築突變

    英倫惡童

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