展覽海報(bào)

【正墨】當(dāng)代水墨大展

【ZHENG MO】CONTEMPORARY INK PAINTING EXHIBITION
總策劃：張濤

PLANNING DIRECTOR：ZHANG TAO

策展人： 夏可君

CURATOR：XIA KEJUN

參展藝術(shù)家：ARTISTS（排名不分先後）

朱一虹 ZHU YIHONG

老赫 LAO HE

陳九 CHEN JIU

海生 HAI SHENG

朱嵐 ZHU LAN

桑火堯 SAO HUOYAO

王昀 WANGYUN

姜吉安 JIANG JI’AN

王愛(ài)君 WANG AIJUN

郝雲(yún) HAO YUN

鬱濤 YU TAO

黑余 HEI YU田衛(wèi) TIAN WEI

陶艾民 TAO AIMIN

武一 WU YI

于羊 YU YANG

李皓 LI HAO 

主辦：藝術(shù)糧倉(cāng)

ORGANIZER：ART GRANARY

聯(lián)合主辦：雅昌藝術(shù)中心

COHOST；ARTRON ART CENTRE

出品：弘真國(guó)際文化發(fā)展有限公司

PRODUCER: HONGZHEN INTERNATIONAL CULTURAL DEVELOPMENT CO.,LTD
展期：2021年5月1日—6月1日

DURATION：2021.5.1—6.1

貴賓預(yù)展：2021年4月28日 —— 4月30日

VIP PREVIEW：2021.4.28—4.30 

開(kāi)幕：2021年5月1日  下午15:00

OPENING：2021.5.1  15:00

地址：雅昌藝術(shù)中心 5F美術(shù)館（深圳市南山區(qū)深雲(yún)路19號(hào)）

ADDRESS：ARTRON ART CENTRE, 5F, 19 SHENYUN ROAD,NANSHAN DISTRICT,SHENZHEN

序

水墨，既是有著文化歷史記憶與感知深度的材質(zhì)，也是自然與人性整體性互動(dòng)的靈媒，水墨的現(xiàn)代性?xún)嵐苡龅搅颂魬?zhàn)，但在混雜現(xiàn)代性的處境中，它一直保持著自我更新的活力，並且嘗試在個(gè)體與歷史、藝術(shù)與生命、傳統(tǒng)與國(guó)際之間，尋找著新的道路，水墨藝術(shù)可以為中國(guó)藝術(shù)家提供結(jié)合視覺(jué)與心覺(jué)的藝術(shù)表達(dá)，可以在當(dāng)代藝術(shù)的危機(jī)中尋找到某條可能的道路。

正是秉承此水墨當(dāng)代化與國(guó)際化的追求，以及文化生命意志的現(xiàn)代性轉(zhuǎn)化表達(dá)，來(lái)自北京的“藝術(shù)糧倉(cāng)”，在過(guò)去幾年持續(xù)探索著當(dāng)代水墨的學(xué)術(shù)性、現(xiàn)代性與國(guó)際化，做出了“虛色美學(xué)Chinese Infra-color Aesthetics”與“字象藝術(shù)Character image Art”等重要的系列展覽，與很多優(yōu)秀的水墨藝術(shù)家進(jìn)行了密切的合作，結(jié)合了老中青三代的不同經(jīng)驗(yàn)與藝術(shù)語(yǔ)言。本次藝術(shù)糧倉(cāng)聯(lián)合深圳雅昌藝術(shù)館舉辦的水墨大展，既是一次學(xué)術(shù)性的彙報(bào)，也是一次水墨新開(kāi)端的呈現(xiàn)。

進(jìn)入2020年之後的水墨藝術(shù)，需要一個(gè)新的方向，一個(gè)端正的生命態(tài)度，就是生命的正確態(tài)度，這就是讓水墨藝術(shù)回到生命的內(nèi)在關(guān)切，這是多重關(guān)心的整合：關(guān)心水墨與生命內(nèi)心情感的關(guān)係，關(guān)心時(shí)代技術(shù)化的趨勢(shì)，關(guān)心藝術(shù)與生命魂魄的關(guān)聯(lián)，只有在此豐富的多維關(guān)心中，才可能為水墨打開(kāi)新的局面。藝術(shù)糧倉(cāng)致力於將中國(guó)水墨藝術(shù)融入當(dāng)代語(yǔ)境，秉承嚴(yán)謹(jǐn)治學(xué)的態(tài)度，系統(tǒng)呈現(xiàn)當(dāng)代水墨藝術(shù)的東方哲學(xué)思維與水墨性，釋放其國(guó)際性，以及所具備的未來(lái)的可能。

本次展覽的藝術(shù)家，其作品基本上是2020以來(lái)創(chuàng)作的作品，讓我們看到了他們面對(duì)生命的脆弱與藝術(shù)的難度，在黑度與靜冷，在沉著與尖銳，在詩(shī)意與浩瀚，在厚重與輕盈，在繪畫(huà)與裝置，等等之間，形成了內(nèi)在的深度對(duì)話(huà)，打開(kāi)了生命經(jīng)驗(yàn)的內(nèi)在場(chǎng)域，這是靈魂的對(duì)話(huà)，這是魂魄的交流。

Ink and wash is not only an unique material encompassing a wide range of cultural and historical memories and personal perceptions, but also a spiritual medium for the holistic interaction between nature and humanity. Ink art, although faced with challenges in the contemporary age, always has the vitality for self-renewal and always tries to find a possible path between individual and history, art and life and tradition and internationality. Ink art can provide Chinese artists with an expression of visuality and mentality, and can point out a promising path facing the crisis of contemporary art.

To pursue a more contemporary and international ink art, as well as a modern transformation of culture and life, the Art Granary from Beijing has explored the academic, modern and international aspects of ink art and has held good exhibitions like Chinese Infra-Color Aesthetics and Character image Art, cooperating with many outstanding ink art artists of all ages with different personal experiences and artistic languages. The ink art exhibition at Artron Art Museum in Shenzhen is both an academic report and a new start of ink painting. The ink art exhibition Jointly organized by Art Granary and Artron Art Museum in Shenzhen is both an academic report and a new start of ink painting.

After 2020, Ink art needs a new direction and a proper attitude towards life, i.e., a correct attitude towards life to bring ink art back to the innermost concern of life, which include many concerns, such as a concern for the relationship between ink and the innermost feeling, a concern for the trend of technology at this time and a concern for the connection between art and souls. Only with these comprehensive concerns is it possible for ink art to have a new start. Art Granary devotes to integrate Chinese ink painting into the contemporary context, adhering to the rigorous principle of academic research, systematically presenting the oriental philosophical thinking and quality of ink painting, releasing its internationality and future possibilities.

Works in this exhibition, which were basically created after 2020, present us the fragility of life and the difficulty of art facing the artists, begin an inner dialogue and create an inner space of experiences between blackness and chillness, between composure and sharpness, between poetry and vastness, between heaviness and lightness, between painting and installation, and so on. It is a communication between souls.

藝術(shù)糧倉(cāng)