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    日常與無常——劉旭光抽象水墨展

    日常與無常——劉旭光抽象水墨展

    時間:   2011-01-04 09:05:23    |   來源:    藝術中國
    展訊 >

    DEFINITE AND INDEFINITE——LIU XUGUANG’S ABSTRACT INK PAINTING EXHIBITION

    CURATOR: GU ZHENQING

    EXHIBITION DIRECTOR: SUN YONGZENG

    EXECUTIVE CURATOR: DAI ZHUOQUN

    ASSISTANT CURATORS: LI WEIWEI, ZHANG ZHIXIN

    ADMINISTRATIVE DIRECTORS: SUN YONGQING, FU CHUNLAI

    PR ASSISTANTS: LIU CHANG, LI WEIWEI

    GRAPHIC DESIGNER: LIU PU

    SPONSOR: WHITE BOX MUSEUM OF ART

    OPENING: 15:00, FRIDAY, 31st DECEMBER, 2010

    DATES: 31st DECEMBER, 2010 TO 15th JANUARY, 2011

    MUSEUM OPENING HOURS: 10:00- 17:30, TUESDAY- SUNDAY

    VENUE: WHITE BOX MUSEUM OF ART, 798 ART DIST., NO.2 JIUXIANQIAO ROAD, CHAOYANG DIST., BEIJING, CHINA

    CONTACT US: +86-10-5978 4801

    FOR MORE INFORMATION PLEASE VISIT OUR WEBSITE: www.798whitebox.com

     

    Liu Xuguang's abstract ink painting exhibition DEFINITE AND INDEFINITE will be showcased in White Box Museum of Art of 798 Art District, from 31st December, 2010 to 15th January, 2011. An opening reception is scheduled for Friday, December 31 at 3:00 pm, admission is free.

    Born in Beijing, Liu Xuguang works as director at new media art lab of Beijing Film Academy, he had studied in Japan and taught in Tokyo National University of Fine Arts and Music.

    DEFINITE AND INDEFINITE showcases both abstract ink painting and imaging art. Liu Xuguang’s application of the post-modern expression method is not a mere language problem but a creative way to describe the present existence. It is from the demand of the present reality that the significance of tradition springs up; at the same time, it is also implied that inheriting classic paintings simply and impractically does not make any sense to artistic and cultural development. The conceptional ink painting does not necessarily require a hermeneutical explanation, its objective nature lies hidden behind the surface of the ink and wash. Since the civilization progress is to be defined by the tracks or marks of human impact on nature, Liu Xuguang abstracts these marks and entrusts them with different connotation. The creation of forms is the nature of art, while the thinking of life and humanity is the core of culture. By means of Liu Xuguang's own artistic language, we look forwards to search for the local spiritual source, and the nature of the ink painting.

     


    劉旭光Liu xuguang,exhibition scene National Art Museum of China, 2010


     

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