Sarah Nind：北京上海之幻象 - 融合虛擬與現實

Sarah Nind 出生於Borneo成長在加拿大。Sarah的藝術作品採用了油畫和賦予作品清晰質感的照片處理過程。由此産生的圖像把攝影的特性展示作一種感性而又富有詩意的媒介 -- 是一種"真實"的記錄裝置。與此同時，圖像被通過繪畫的整合所改變。這個能超越字面描述的繪畫表面，被稱為一種用作表達和記錄情緒狀態和主觀現實的層面。説是戲劇性的敘事，其實Sarah的作品更多的是在質疑歷史，時間的構築就好比一種直系的進程，和存在於現實虛擬之間的區別。

Vincent Goetz - Digital Meditations

For American photographer, Vince Goetz, photography is all about technology as a means of revealing what he sees - which isn't always what other people or even the camera lens sees. The advent of digital photography interested Vince not only because the process has essentially become a green technology, but it set his own imagination free to go beyond what the camera saw. Although Vince is conservative in his image manipulation, it's clear that every once in a while he pushes the limits of his own and the viewer's imagination. Vince says, "I find that one of the most appealing parts of photography is to create images where the eyes rest in the image, and I strive to create images where the eyes and the brain relax. In a sense they are pieces of meditation, visions of the complexity of the world we are a part of." His micro-studies of rusted metal and deteriorating materials are particularly engaging - and when printed on canvass, they take on the texture and look of the hides of imaginary animals. It's like seeing hides from Steven Spielberg created creatures ready to be made into cutting edge purses and shoes.

Vincent Goetz：數位沉思

作為一個美國攝影師，對Vince來説，攝影就是一種把他所見事物展現出來的技術手段 - 他的所見並不總是被別人或者相機所記錄。數位攝影的出現激發起Vince的熱情，不僅僅是因為它從根本上變成了一種綠色科技，而且讓影像遠遠超越了鏡頭所能記錄的範圍。雖然Vince在他的圖像處理上稍顯保守，但很顯然每隔一段時間，他就推進了自己的限制與觀者的想像力。Vince説："我覺得攝影最有吸引力的部分，就是在圖像中眼睛休息的地方創造圖像，我努力營造可以讓眼睛和大腦放鬆的圖像。從某種意義上來説，它們是沉思的片刻，是我們所屬於的複雜世界的幻象。"他對生銹金屬和衰退物質的微觀研究是最具吸引力的，當印刷在畫布上時，那種質地就像是想像中的動物皮革。這就像是斯蒂芬斯皮爾伯格創造出的生物皮革，隨時可被製成錢包或是鞋子。