2009王家增繪畫(huà)作品展

　　展覽時(shí)間：2009年3月7日 – 3月20日，11：00AM-18：00PM

　　展覽地點(diǎn)：XYZ畫(huà)廊，北京798藝術(shù)區(qū)798中二街D05

　　電話：010 8459 9299 / 13701104223

　　策展人：范學(xué)宜 成國(guó)琴

　　引言

　　“王家增為我們深刻地展示了一幅驚心動(dòng)魄的人類異化的景象。王家增無(wú)一例外地為這些人物“統(tǒng)一著裝”，一律的藍(lán)制服，一律的幹部帽。這些亦工亦農(nóng)，非官非商的人物，身份並沒(méi)有特指，它成為一種抽象的符號(hào)或象徵。今天的中國(guó)人在著裝上已經(jīng)千姿百態(tài)，萬(wàn)紫千紅，但是在王家增的作品中，這些人物卻仍然像30多年前那樣，人物都穿著沒(méi)有個(gè)性的藍(lán)色幹部服。我們不會(huì)忘記，這曾經(jīng)是中國(guó)的重要標(biāo)誌之一，因此西方人稱中國(guó)人為“藍(lán)色螞蟻”。王家增完全無(wú)視這種時(shí)代的變遷，又將這些藍(lán)色幹部服從衣櫃中翻出。但是，這些服裝並不表明王家增還在反思那個(gè)特殊的歲月，而是將其變作束縛和禁錮人類個(gè)性或人性的符號(hào)，這一詭異的符號(hào)，讓我們既恍若隔世，又宛若現(xiàn)實(shí)。在這種狀態(tài)中，我們也似乎進(jìn)入了一個(gè)似死而活的境地。灰、黑色的調(diào)子，天地和萬(wàn)物仿佛都由鐵塊鑄就，由此，濃重的冷酷感向我們襲來(lái)，不由使我們想到生死的問(wèn)題。

　　在部分作品中，王家增好像有意打開(kāi)一點(diǎn)他所鑄造的“鐵幕”一般的世界似的，他涂染了些許的紅色。這些紅色一如他在鐵盒子中放進(jìn)的女人一樣，改變了一些冷酷，融進(jìn)了一絲的溫情。但是，作品的基調(diào)依然是冷酷的。只不過(guò)這些“佐料”使得作者表達(dá)的主題突然變得具有了一定的相對(duì)性，減少一些絕對(duì)意義，因而也就變得有些活潑。但這只不過(guò)是王家增的“活潑”而已，或者説是“黑色的活潑”。

　　——摘自郭曉川的《鐵盒子裏的人談王家增的作品》

　　王家增藝術(shù)簡(jiǎn)歷

　　1963年 出生於遼寧省瀋陽(yáng)

　　1987年　考入魯迅美術(shù)學(xué)院版畫(huà)係。

　　公派到中央美術(shù)學(xué)院油畫(huà)技法研修班學(xué)習(xí)

　　現(xiàn)任魯迅美術(shù)學(xué)院 副教授

　　個(gè)展：

　　2002年　“王家增作品展”，海上山藝展中心, 上海

　　2008年 “ 盒子中的人”王家增油畫(huà)作品展 北京高地畫(huà)廊

　　群展：

　　2003年

　　“北京國(guó)際版畫(huà)雙年展”

　　“今日中國(guó)美術(shù)邀請(qǐng)展”

　　“第三屆中國(guó)版畫(huà)RIDGE邀請(qǐng)展”，日本

　　“美國(guó)版畫(huà)家與中國(guó)版畫(huà)家聯(lián)展”，紐約

　　2004年

　　“走進(jìn)當(dāng)代青年版畫(huà)家八人展”， 關(guān)山月美術(shù)館

　　“第十二屆臺(tái)灣國(guó)際版畫(huà)及素描雙年展”

　　“全國(guó)第十屆美展”

　　2006年

　　“學(xué)院版畫(huà)邀請(qǐng)展”，深圳

　　上海半島版畫(huà)邀請(qǐng)展暨學(xué)術(shù)研討《中國(guó)版畫(huà)回顧與前瞻1994—2006》。

　　“魯迅美術(shù)學(xué)院教師油畫(huà)作品展”，中國(guó)美術(shù)館

　　“此岸彼岸” 油畫(huà)五人展， 紅星畫(huà)廊，北京

　　2007年　

　　“觀瀾國(guó)際版畫(huà)展”

　　“分界融合”版畫(huà)六人展，半島畫(huà)廊，上海

　　上海800號(hào)美術(shù)館開(kāi)幕展——油畫(huà)聯(lián)展

　　“中外名家版畫(huà)展”， 3+3畫(huà)廊，北京

　　2008年

　　深圳格豐藝術(shù)機(jī)構(gòu) 油畫(huà)聯(lián)展

　　中國(guó)當(dāng)代版畫(huà)文獻(xiàn)展（ 南京、北京、上海）

　　南韓光州雙年展

　　《中心與邊緣：從ABC到XYZ》王家增版畫(huà)作品展 北京798藝術(shù)區(qū)XYZ畫(huà)廊

　　2009年

　　王家增作品展 北京798藝術(shù)區(qū)XYZ畫(huà)廊

　　獲獎(jiǎng)：

　　1988年　“世界大學(xué)生美術(shù)作品展”，作品《午休》獲得優(yōu)秀獎(jiǎng)。

　　1998年　“中國(guó)第十四屆版畫(huà)展”獲銅獎(jiǎng)

　　2001年　《牌戲人生》之一獲中國(guó)第七屆三版展銀獎(jiǎng)

　　2002年　《牌戲人生》在東北三省版畫(huà)展獲金獎(jiǎng)

　　《存在的1/2》獲中國(guó)第十六屆版畫(huà)展優(yōu)秀獎(jiǎng)

　　2003年 《紀(jì)念——消逝的記憶》獲中國(guó)第八屆三版展銀獎(jiǎng)

　　2004年 《存在的1/2》獲中國(guó)高等院校版畫(huà)年會(huì)展學(xué)院獎(jiǎng)

　　2005年 《紀(jì)念——消逝的記憶》獲中國(guó)第十七屆版畫(huà)展銀獎(jiǎng)

　　2009 WANG JIAZENG PAINTING WORKS SOLO EXHIBITION

　　Exhibition dates: March 7, 2009 to Mar. 20,2009, 1100hrs to 1800hrs

　　Venue: XYZ Gallery, D 05 of 798 Middle Second Street of 798 art center

　　Curator: Xueyi FAN, Catherine Cheng

　　Contact Information: 010 8459 9299/13701104223

　　INTRODUCTION

　　“Wang Jiazeng revealed a soul-stirring vision of human dissimilation. He makes no exception of which the figures are all uniformed: all in blue and cadre cap. They can be either workers or farmers; neither government official nor merchants whose status are not identified and is only an abstract sign or symbol. Nowadays, Chinese are dressed of all sorts, but, in Wang Jiazeng’s works, people still look like are in 30 years ago, what whom wear has no individual character while all in blue tuinic and trousers. No one would forget that was one of the important marks of China then, therefore, Chinese were called ‘blue ants’ by Occidental. He is totally in defiance of the changes of time and rummages those out through chests and cupboards, in which not indicate that he is introspective of that special years but to symbolize the fetter and imprison of human character and nature. This tricky symbol seems like both another life and actual life. Under such circumstance, we are as if turning into a condition of being died but still alive. The style in grayish and black make the universe looked as though casting by iron, thus the dense callousness raid us that we could not help thinking about life and death.

　　To review all his works, some of them in obvious are as if a doorway to the outside world from the veil of Wang Jiazeng’s creation, in which he coats with slight colour of raddle. The colour is, as same as the woman in his box, to transform a thread of warmth from its origin coldness, though the basic keynote is still as hard as nails. Only are those little factors making the theme of expression suddenly appear definite relativity, and decreasing absoluteness so go into full of life. But, it is only the briskness of Wang Jiazeng’s or to say, as same as black humour, it is a black liveliness.

　　By Dr. Guo Xiaochuan’s < Men in Metal Boxes – Wang Jiazeng’s works>

　　Biography of Wang Jiazeng

　　1963 Born in Shengyang, Liaoning Province.

　　1992 Graduated from Department of Print in Luxun Academy of Fine Arts

　　1993 Studied at Oil Painting Facaulty of China Central Academy of Fine Arts in Beijing

　　Now is associate professor of Lunxun Academy of Fine Arts

　　Solo Exhibition

　　2002 Works of Wang Jiazeng Exhibition, Shan Gallery, Shanghai

　　2008 Men in Mental Boxes Wang Jiazeng’s Oil Paintings Exhibition, Gaodi Gallery,

　　Beijing

　　2009 Wang Jizeng Painting Solo Exhibition at XYZ Gallery Beijing, 798 art center

　　Group Exhibition

　　2003 Beijing International Print Biennale, Yan Huang Art Museum, Beijing

　　China Today Invitational Art Exhibition, Beijing

　　3rd Chinese Print Ridge Invitational Exhibition, Japan

　　Joint Exhibition of American and Chinese Prints, New York

　　2004 Enter the Present Age _Eight Youth Print Exhibition, Guanshanyue Art Museum, Shenzhen

　　the 12th Taiwan International Print and Line Drawing Biennale. National Taiwan Museum of Fine Arts

the 10th National Arts Show, The National Art Museum of China, Beijing

　　2006 Academic Invitational Print Show, Shenzhen

　　Shanghai Invitational Peninsula Prints Exhibition, Shanghai University, China

　　2007 Guanlan International Print Exhibition, Guanlan Art Museum, Shenzhen

　　Print of Six People, Peninsula Art Gallery, Shanghai

　　Shanghai Wujiaochang No.800 Space Opening Show –Oil Painting Exhibition, Shanghai

　　Prints Exhibition of China and Abroad Masters, 3+3 Art Space, Beijing

　　2008 Wang Jiazeng Print Works Exhibition at XYZ Gallery

　　Awards

　　1989 ‘NoonBreak‘won outstanding prize, International Undergraduates Art Exhibition

　　1998 ‘Unconsciousness State in Sequence’ won the bronze prize , the 14th National Print Exhibition

　　2001 one of ‘Life As Cards’ gained the silver prize, the 7th National Three Kind of Print Exhibition

　　2002 ‘life As Cards’ won the first prize, Northeast Three Provinces Print Exhibition

　　‘The Half of Existence’ gained the outstanding prize, the 16th National Print Show

　　2003 Commemoration--Wearing Away Memory’, the prize of the 8th National Three Kind of Print Exhibition

　　2004 The Half of Existence’ gained the academic prize, National College and University Print Annual Exhibition

　　2005 ‘Commemoration--Wearing Away Memory’ won the second prize in the 17th National print Exhibition