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    盤(pán)永傑、林家健創(chuàng)作展覽

    藝術(shù)中國(guó) | 時(shí)間: 2009-04-13 15:32:33 | 文章來(lái)源: 藝術(shù)中國(guó)

        我就是這樣的-盤(pán)永傑、林家健創(chuàng)作展覽

        This’s Me! – Creative Works by Kit Pond and Kevin Lam

        開(kāi)幕時(shí)間 / Opening :

        2009年4月11日(星期六/Saturday) 下午三時(shí)

        3:00pm, 11 April 2009

        展期 / Exhibition Period :

        2009年4月11日至5月24日

        11 April to 24 May 2009

        因?yàn)榻虒W(xué)的緣故,接觸了一些愛(ài)好藝術(shù)的學(xué)生,也因?yàn)槭墙膛d趣班,所以,這些學(xué)生都不是讀藝術(shù)出身,但他們對(duì)於藝術(shù)的熱愛(ài)並不少於讀藝術(shù)出身的人,甚至乎長(zhǎng)期在創(chuàng)作中。

        最初認(rèn)識(shí)阿傑(盤(pán)永傑),發(fā)覺(jué)他很有繪畫(huà)天份,喜歡在功課簿上塗鴉 ,只是以簡(jiǎn)單的原子筆作工具,圖像天馬行空靈異鬼怪 ,但原來(lái)他沒(méi)有正式學(xué)習(xí)過(guò)繪畫(huà),小時(shí)候常在上課時(shí)畫(huà)一些火柴人式的小公仔,十多歲開(kāi)始畫(huà)的東西才慢慢多了些線條,再發(fā)展為現(xiàn)線上條複雜的圖畫(huà)。那些結(jié)構(gòu)密集的畫(huà)像可是要經(jīng)過(guò)深思熟慮所構(gòu)成的,每一幅A4尺寸的原子筆畫(huà)要畫(huà)上一個(gè)月以上。阿傑也許像很多青年人一般,對(duì)將來(lái)的發(fā)展有點(diǎn)茫無(wú)頭緒,也許,他算是個(gè)幸運(yùn)兒,兜兜轉(zhuǎn)轉(zhuǎn)他終於可以找到一個(gè)可以一展身手的行業(yè)為職業(yè)。

        盤(pán)永傑這次創(chuàng)作將把作品直接畫(huà)在展場(chǎng)的墻上, 而且這將是一個(gè)進(jìn)行中的展覽, 他會(huì)在展覽期間不斷的畫(huà), 直至展覽結(jié)束之日, 所以無(wú)論你甚麼時(shí)候來(lái)看展覽, 都將看到不一樣的畫(huà)......

        讀IT出身的Kevin(林家健)差不多大學(xué)畢業(yè)才開(kāi)始接觸攝影,在學(xué)校讀完一個(gè)攝影興趣班後,接著報(bào)讀幾個(gè)有關(guān)的課程,在此期間認(rèn)識(shí)到不同的攝影,起初先接觸數(shù)位相機(jī),到後來(lái)用菲林及針孔相機(jī),嘗試過(guò)後還是喜歡菲林的質(zhì)感,他把Lomo-Hogla 120用135菲林來(lái)拍攝,以正片衝負(fù)片方法衝菲林,用自己的scanner掃描出來(lái),顏色竟與衝曬出來(lái)的偏藍(lán)效果不同,色彩豐富,也由於scan的緣故,原來(lái)不能從菲林沖曬出來(lái)的影像,可以用電腦高反差來(lái)顯現(xiàn),這個(gè)年代,電腦與菲林的結(jié)合,是最佳拍檔。

        和大部分初接觸攝影的人一樣,取材是最難的一項(xiàng),所以,Kevin很多時(shí)都是很隨意的拍攝,也是因?yàn)榉屏植荒芰⒓搭A(yù)知所攝的效果,他反而更隨意的到處拍,構(gòu)圖空間比起數(shù)位拍攝大膽很多,而他的菲林作品,竟然略帶實(shí)驗(yàn)味道,或許,這就是內(nèi)心深處的Kevin。

        Teaching made me have contact with students who love art. I got to know them during informal ‘hobby’ courses that I tutored, and all of them do not have any formal art education background. But their commitment is no less than those of formal art majors. And they have been in the process of incessant creation over a long term.

        Kit Pond impressed me in our first contact with his great painting talent. He likes scrawling on his homework books, using a single ball pen to sketch out eerie images infused with imagination and vigor. Yet the fact is that he has never formally studied painting. In his early childhood, during classes, he liked to draw some small, matchstick-men-like figures. Only after his teen years he gradually drew more lines and eventually developed his drawings into paintings with complicated and delicate lines. These images, elaborately composed, are all fruit of long contemplation – each A4 ball pen-painted page would take him more than one month. Kit, like many other young men, was once at a loss towards his personal future development. Perhaps we can say he is lucky enough to finally find a profession in a sector where he can further develop his talent.

        Kevin Lam is an IT graduate. He only got into contact with photography when he was about to complete his university degree. He attended several more relevant courses after taking a first photography ‘hobby’ course in the campus, during which he got to know the different types of photography. Starting with a digital camera, he then switched to film and pinhole cameras. After some time he discovered that he really likes touching the film. He took photos with a Lomo-Hogla 120 using film, developed it by way of “e2c” (employ negative film development method to develop positive film) and scanned it afterwards. It turned out that the color is very rich, different from the bluish effects resulting from the traditional development method. Moreover, due to the scanning, images which can’t be produced by conventional development emerge, as a result of the high contrast enabled by computer. The combination of computer technology and film is a perfect combination in this era.

     

        For Kevin, and many other photography beginners like him, capturing subjects seems to be the most difficult thing. To overcome this, Kevin usually take photos at free will. In addition, as using film camera won’t allow the photo effects to be seen instantly, he prefers to give himself much more freedom to take pictures wherever possible, thus composing photos with a bolder approach than in digital photographing. This has givend his film works a bit of experimental flavor. Probably that is what Kevin is.

     

        參展藝術(shù)家 / Participated Artist:

        盤(pán)永傑 / Kit Pond、林家健 / Kevin Lam

        策展人curator:

        施援程 / Cora Si

        主辦 / Organization:

        婆仔屋藝術(shù)空間 / Old Ladies’ House Art Space

        贊助 / Sponsor:

        民政總署/ IACM

        地點(diǎn) / Venue:

        牛房倉(cāng)庫(kù) / Ox Warehouse

        澳門(mén)美副將大馬路與罅些喇提督大馬路交界

        No Cruzamento entro a Avenida do Coronel Mesquita e a Avenida Almirante Lacerda Macau

        開(kāi)放時(shí)間 / Opening time:12:00 ~ 19:00, 逢星期二休息 / Closed on Tuesdays

        巴士路線 / Bus Line : 1,1A,3,3A,4,5,6,7,8,8A,9,9A,16,17,23,25,26,26A,28C,32,33,34

        查詢 / For enquiry:28530026 (12:00 ~ 19:00, 逢星期二休息 / Closed on Tuesdays)

        傳真/ Fax:28533047

        E –mail:oxwarehouse@gmail.com

        Website:http://oxwarehouse.blogspot.com

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